review

Life is Strange: Double Exposure review: a disappointing finale

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Sometime Life is Strange: Double ExposureIn the third episode, Max Caulfield tried to talk to Loretta, another student on campus, about the well-being of a student named Reggie. Loretta was a little confused when she asked Max who exactly she meant. That's when Max realized, much to her chagrin, that she had confused Loretta's two … Read more

Factorio: Space Age review: a stellar expansion produces a masterful final form

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To say that Factorio: Space Age throws out the rulebook is an understatement. It’d be more fitting to say it’s somehow automated the whole process: an inserter plucked out the rulebook from my brain and deposited it in hot magma, while a new rulebook was churned out in a nearby machine and plopped into my brain from the other side – only for that to be immediately plucked out and incinerated as well. With each new planet and each new phase, Space Age reinvents itself. I’m battling hyperbole here, but ah hell, I admit defeat. Factorio: Space Age is a masterpiece, the final form of perhaps the most well-crafted building game I’ll ever play.

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Call Of Duty: Black Ops 6 campaign review: a military shooter that comes disguised as other, better games

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As a yearly blockbuster, Call of Duty, through sheer expense and effort, would like you to think it is the Die Hard of video games. Or, depending on the setting, the Saving Private Ryan of video games. But it is barely Black Hawk Down. This latest campaign in Call Of Duty: Black Ops 6 reminds me more of the forgettable Netflix shootfests that thumbnail their way across your TV screen as you try to find some gritty nothing to aid you in zoning out of life. Still, there is an anecdotal contingent of casual sofa sitters for whom Call Of Duty is the game. A balls-to-the-wall shooter to return to every winter and rinse through in a weekend. Ed has already gestured at its multiplayer, announcing: “yup, it’s COD”, like a deeply tired Captain Birdseye inspecting the day’s catch, wondering when his life will change. But never mind that. How does the single player story mode hold up? Some are calling it the best campaign in years. And I guess that’s true, in the sense that it is the least worst.

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Slitterhead review: body-hopping action horror that’s best left dispossessed

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I was excited for Slitterhead, an action adventure game by Bokeh Studio, a studio founded by none other than your boy Keiichiro Toyama: the creator of Silent Hill, Gravity Rush, and the Siren series. And within that first hour, Slitterhead’s body-possessing and Hong Kong-inspired streets had me thinking, “Is this it, the sleeper hit of 2024?!”

No, sadly not. It’s no doubt built a compelling universe filled with brain-sucking aliens that masquerade as humans, and it attempts plenty else besides: bouncing between bodies as you stealth around dingy apartment blocks, fighting with blood katanas, and gorging on pools of red plasma to refuel skills, many of which require more body-flitting. Thing is, they are ultimately just attempts, attempts that fall victim to an emptiness and jitteriness that quickly reveals Slitterhead’s true, irritating form.

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Straftat review: an anarchic First-Person Speed dater you’ll fall in love with

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It’s tempting to frame Straftat as a throwback to an older, better time for the multiplayer FPS, when the lingo was coded in frags and gibs and sucking it down, when satisfaction was drawn entirely from performance rather than some convoluted, artificial system of progression. Not only would this be inaccurate, but it would also do a disservice to what Straftat truly is, namely a wild overcorrection in response to the direction of modern multiplayer gunfests, one that careens straight through retro stations to arrive somewhere new and exciting.

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